"Anne Grgich is one of the most original and innovative of the group of American artists known as Outsiders. Completely self-taught, and on the cover story of Raw Vision Magazine (#22), she became known for her one-of-a-kind books filled with page after page of impassioned, expressionistic faces and figures. Grgich often employs collage and vigorously applies layer after layer of over-painting, covering found texts and images, yet allowing some of the underneath to remain visible. This layering suggests generations of mystery and mystique to her exotic characters." Phil Demise-Smith, Gallery A Studio
News
Recent article written by Steve Lipponcott
Crossing Over the Bridge, residency at Pottery NW
The Museum of Peoples Art recent group exhibition curated by Anne Grgich with Kandace Manning
Anthony Petullo Collection donates recently to the Milwaukee Art Museum includes Grgich Click to see the Anne Grgich Book
Solo Exhibition-Barristers Gallery, New Orleans, December 2012
Solo Exhibition at Olaf Art Gallery, Amsterdam, Netherlands Fall 2012
Anne Marie Grgich: Archaeologies of the extraordinary everyday by Colin Rhodes
Art in Review By ROBERTA SMITH Published: January 24, 1997 The Outsider Art Fair
Purse Drawings 2010 and digital catalogs of Anne Grgich projects
Raw Vision Magazine Issue # 22 by Rose Gonnella
Art of the Ordeal , New Orleans, by D. Eric Bookhardt
Garde Rail Gallery, Former Seattle Southern Folk Gallery
2009 Anne Grgich returns to Portland, Oregon, her home town
Arts Corps, Seattle they put the art back in schools
The Carriage House Studios-Anne Grgich Teaching Blog
New Orleans article in the NY Times
The Northwest Drizzle, Death, pestilence & politics in Portland galleries, August 2001 by Jeff Jahn
An exhibition in the Katonah Village Library Galleries by twelve international trained and untrained artists New York.
From Margin to Centre: Visionary Art SASA Gallery
Anne Grgich Interview by Eva Lake on KBOO 2009
MPR News with Della Wells and IGS at The Outsider Art Center, Minneapolis MN
Grgich's art is disquieting and haunting, like the artist by Judy Wagonfeld, Seattle PI
